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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。自然世界充满了我们习以为常的颜色。在这个令人惊叹的新系列中，大卫·爱登堡将穿越哥斯达黎加的热带雨林，跋涉白雪皑皑的苏格兰高地，探秘动物对色彩的非凡运用。孔雀为求偶进化出了华丽的尾羽，而箭毒蛙明亮的警告色意味着致命剧毒，孟加拉虎的橙黑条纹则以一种巧妙的方式帮助它悄无声息地接近猎物。 大卫·爱登堡爵士一生痴迷于自然界的色彩。20世纪50年代，他第一次产生了讲述色彩故事的想法，但由于当时的电视只有黑白技术，最后拍摄了一档名为《动物世界的图案》的系列节目。65年后，他终于得偿所愿。专门为这个系列开发的新的摄影技术带我们看见肉眼难以观察到的颜色。从蝴蝶翅膀上的紫外线信号，到雀鲷脸上相间的条纹，再到雀尾螳螂虾奇特的偏振光视觉，从动物的眼中看世界，发现未知的精彩。。