视频简介
公安連軍出身少林派，為人正直，兼練得一身好功夫，被公安隊長劉國駒視作親生兒子。國駒率眾在中港邊境打擊走私活動，走私客郭震等將連軍绑起，兩幫人駁火引致油站爆炸，郭震見狀返回救連軍一命，國駒趕至拘捕郭震，郭震一不小心打傷國駒手指。連軍感激郭震，兩人甚投契，連軍時常到監獄探望，更結為好友，連軍認為震已改過自新。 郭震兄在走私活動中被槍殺，郭震認出開槍的是國駒手下，郭震無辜被捲入事件。香港警方總督察任俊賢與國駒合作拘捕郭震。國駒阻止連軍到港調查，因郭震涉及此案，連軍更要查個明白，連軍得知同袍昌因協助走私而死，到港向國駒匯報。國駒心中有數，在連軍面前協助郭震逃走，暗中追殺郭震，免得他向連軍通風報訊。俊賢查出連軍與郭震是好友，在幾次追捕郭震時，一定見連軍先到現場。郭震被國駒不斷追殺，俊賢不斷拘捕他，連軍則不斷拯救，郭震終告受傷。 連軍向國內特派員光說出公安內有人...。制片国家：中国大陆制片机构：峨眉电影制片厂上映年份：1982年影片颜色：彩色片主演：王玉梅高保成王秋颖赵福余牟卫红2内容介绍编辑大河北大队社员李秋兰爽朗、能干，人称“内当家”。为了解决用水的困难，李秋兰和丈夫锁成决定在庭院中打一口井，一切准备就绪，破土动工，邻居们也赶来帮忙。突然传来过去压迫他们的地主、今日的爱国华侨刘金贵要回乡观光的消息。县办公室的孙主任安排李秋兰家接待刘金贵，还认为打井有碍观瞻，命令秋兰家把井填上，并从县里运来家具为刘金贵布置房间。秋兰和锁成对孙主任的做法十分反感。为此，秋兰让女儿新妮写信，她去县里反映情况。此事，引起了锁成和秋兰对往事的回忆。原来，秋兰12岁时就失去了父母，孤苦伶仃。在一个风雪之夜，她饥寒交迫地晕倒在雪地上，被长工锁成救活。锁成央求东家收留秋兰做个丫头，并像亲哥哥一样照顾秋兰。秋兰长大后，...。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。