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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.。《四渡赤水》是一部面向青少年及中小学生进行党史宣传教育的历史纪实动画片。该片以动画纪实手法，再现了湘江之战、遵义会议、四渡赤水、抢渡金沙江等历史事件，充分展现了“红军之勇、用兵之神、精神之伟”。人物刻画细腻，情节曲折，故事性强，开创了用动画纪实方式再现党史的艺术表现形式，是党史宣教方式的开拓性创新。 该片经过党史专家、影视专家多轮研讨和两次大型修改，主创团队为了更好地感悟这段历史，更是亲身到贵州遵义等地区采风，深入挖掘历史细节，精心塑造人物，真实再现领袖、先烈的风采，全新视角绘制祖国大好河山，诠释了党的革命精神和坚定信念。 该片在武汉市1所大学、2所中学、2所小学课堂进行了样片试播调查，结果显示，有74%的学生观众非常喜欢或比较喜欢看此片；观看影片后，对四渡赤水这段历史认为“非常了解”和“比较了解”的比例从10.3%提高到86.8%。影片在青少年群体中传递“中国梦”、培养社会主义核心价值观的接受度高、效果良好。。